This book provides insights into the experiences of women with physical, mental or sensory disability in terms of their social relationships and social participation, as well as the barriers and facilitators of their physical and social environments in that respect. It will be of interest to academics, health professionals, researchers, and other experts in the field, in addition to persons with disabilities who are exploring ways to overcome barriers they might be facing in terms of social participation. The book includes perspectives of women with disability on social relationships and social participation, as well as an extensive exploration of the current scientific literature. The points made here will contribute to the discussion around the full integration of persons with disabilities, by removing barriers to their social participation and autonomy, together with the strengthening of their social relationships and the social support they receive.
Stem cells, particularly pluripotent stem cells, hold significant promise for developing therapies for diseases and disorders for which there are no current treatments and for regenerating human cells, tissues, and possibly even organs. However, to be able to translate stem cell research into therapies, researchers must first address many scientific, ethical, and regulatory hurdles. The need for researchers and sponsors to demonstrate progress and the hopes of patient groups for new therapies have pressured researchers to move quickly into clinical trials and encouraged the opening of clinics offering unproven and unapproved stem cell treatments. This book tells the story of the development of the field, and identifies the ethical issues and challenges stem cell translation raises. It will be of interest to ethicists, scientists, and regulators working in the stem cell field, as well as the general reader following scientific developments.
Using previously unpublished correspondence and personal journal entries from screenwriter Abraham Polonsky, neglected notices in Variety and other Hollywood trade publications, and a variety of published sources, this narrative backstory of rival movie productions of The Gladiators vs Spartacus documents that intense competition with greater precision and clarity than any other existing account. The key role that this little-known chapter of Hollywood's blacklist history played, in connection with Dalton Trumbo's successful effort to win screen credit for Spartacus, is now for the first time available to film historians and lay readers. A companion study, Volume 2, is devoted to Abraham Polonsky’s rediscovered screenplay.
This work draws from several interpretations and perceptions of Lou ethnic groups regarding their kinships, lineages, and the geocultural claims pertaining to their identity and sociocultural interactions among social groups and communities. It builds on the current literature and oral history to methodologically reaffirm kinships and establish ethnic lineages. Most contemporary Luo narratives come from Kenya and Uganda, in addition to those written by Western anthropologists and missionaries. None of these narratives have changed the content of the oral stories told by Luo groups and subgroups in Africa, especially those related to their lineages, ethnic affiliations, and their path of immigration from South Sudan to Tanzania, but have, instead, confirmed the history, stories, and mythology of the greater Luo groups in Africa. This book will serve to evoke intellectual curiosity among African social scientists, prompting them to conduct more research to further understanding of Luo ethnic groups’ ways of life and social interactions, as well as their contributions to the sociopolitical and economic development in the countries and regions they inhabit.
This volume investigates the multifaceted SHAPES (socio-historic, artistic, political, and ecological significance) of global disease. It challenges conventional views of infection and transmission by associating epidemics with ideologies and their accompanying institutions. It argues that the physical threat of epidemics is irrevocably linked to culture, economic resources, social class, and power. Epidemics involve both the infected and non-infected, affect the local and global, and they expose control and neglect. This book provides a radical collaborative approach, drawing contributors from closely related and vastly distant fields in the search for innovative ways to address human suffering, and to find real solutions that may determine whether people live or die. Such an approach is needed within an increasingly interconnected world where both pathological diseases and health behaviors are infectious. Experts from fifteen diverse disciplines in the natural sciences, social sciences, and arts and humanities present case studies from across the world and time, demonstrating the uniqueness of each disease and epidemic in its place, but also the shared experiences that span human life and death. In order to identify, measure and control epidemics, we must understand epidemics more as long biosocial processes than abrupt events in nature or culture. Such methodology examines the meaning we attach to epidemics, as well as their material reality, and provides a more complete understanding of how epidemics shape and are shaped.
This book presents the life stories of three women of the German-speaking realm whose lives inspired the author directly: mathematician Maria Weber Steinberg (1920-2013); journalist Irmgard Rexroth-Kern (1907-1983); and Viennese art historian Fr. Dr. Anna von Spitzmüller (1903-2001). The lives of these three women serve as emotional mirrors to the cultural transformations and tumultuous history of the 20th century. Their stories tell of the hardships, struggles, and victories of intellectual European women in this era. Each woman was related to men who played a prominent role in European cultural life, men who received some recognition in history books. As intellectual professionals, these women, in contrast, received very few public accolades for their important achievements. Placing them in the cultural context of the times in Germany and Austria, the book highlights the traumatic choices imposed on ordinary people by political and social circumstances over which they had no control. Along with the women’s individual stories, the chapters focus on overarching themes, including educated women’s roles in European society, narratives of perseverance in confronting Nazism, and specific historical background describing the incidents affecting their life trajectories.
Ecoarts practice is evolving quickly as a practice. While much of it is made by individual artists working alone, artists are increasingly combining into multi-artists collectives, collaborating with scientists, sustainability professionals, industry or the community to develop artworks with quite far-reaching effects. This book describes an extraordinary range of artistic practices pitched to encourage people to adopt pro-environmental behaviours by provoking, persuading, providing information, creating empathy for nature or by being built into sustainability practices themselves. It brings together 28 contributors who examine different roles of the arts in encouraging pro-environmental behaviour. There is a wide range of practitioners represented here, including visual and performing artists, sustainability professionals, social researchers, environmental educators, research students and academics. The contributors to this book are united in believing that the arts are vital in promoting pro-environmental behavior in the way that they are practiced, but also in the connections they make to ecology, science and Indigenous culture.
Musicians, teachers and those who love music will find in this volume some answers to the question of how gender affects its practice, performance and reception. What was performing like for female rock singers in the 20th century? How did Bowie change our concept of performer identity? Just how sexist are the lyrics in glam metal songs? Is rap as homophobic as has been thought? Can female metal singers growl as well as men? Are LGBTQ+ issues reflected in 21st century music? Did Canadian New Wave groups tackle major social issues? How do Shakespeare and Joyce use musical puns and allusions? From Indian thumri, through French opera, Irish folk songs, and pop, all the way to metal and rap, the 17 contributions gathered here will challenge and inform, while confirming that our music shapes our habits, language, ideas and gendered selves.
The world is spinning around us and we are spinning with it. When changes occur at the geopolitical level, inevitable changes also occur in people’s identity and in the way they see and represent the world. This book looks at this world with new eyes, approaching contemporary history (and herstory) from a scholarly perspective that cancels borders. Emphasis here is laid on migration, geopolitics, global citizenship, human rights, the EU and the non-EU, and East and West, as represented in fiction and drama or translated on television. The first part of the volume deals with migration and alterations in the non-Western world, with constant references to September 11, terrorism and wars, and the Syrian refugee crisis, before the focus moves on to one of the most important migration hosts nowadays, the European Union, discussing its expansion to the East, French President Macron’s call for renewal, and, lastly, a possible beginning of the end, announced by Brexit. This volume is a mirror of the discourses of globalization, one that makes the old self-other dichotomy obsolete. We are all selves in the eye of the storm that is raving around us, bringing change with it.
How are men represented on the printed page, the stage and the screen? What do these representations say about masculinity in the past, the present, and the future? The twelve essays in this volume explore the different ways in which men and masculinity have been represented, from the plays of William Shakespeare to the science fiction of Richard K. Morgan, passing through classic fiction by Emily Brontë and Charles Dickens, and popular favourites by Terry Pratchett and Isaac Asimov, without forgetting the Star Wars saga.Collectively, these essays argue that, although much has been written about men, it has been done from a perspective that does not see masculinity as a specific feature in need of critical appraisal. Men need to be made aware of how they are represented in order to alter the toxic patriarchal models handed down to them and even break the extant binary gender models. For that, it is important that men distinguish patriarchy from masculinity, as is done here, and form anti-patriarchal alliances with each other and with women. This book is, then, an invitation to men’s liberation from patriarchy by raising an awareness of its crippling constraints.
This research examines journalism ethics to answer the questions of whether we still need journalism ethics in the twenty-first century, if it is possible to exercise journalistic standards of work and, if so, on what values should these ethics be based in a world much different from that which existed when the first journalism codes of ethics were formulated in the nineteenth and early twentieth centuries. To distil the motivations and essence of the early journalistic standards of work, the book discusses the function of media in a democracy and the formation of mass media during the first industrial revolution, as well as its consequential change in journalists’ locus of control and how journalists self-identified. The sudden creation of mass media pushed some journalists to create ethical principles which would guide the newly empowered press, an effort which culminated in the creation of the first national code of journalistic ethics in 1923. The book closely examines the elements of the 1923 “Canons of Journalism”, finding them to contain timeless values, despite their original application to now dated technology. It highlights the basic elements and applies them to media today, in a way that interfaces with new technology without abandoning the essential components of equipping citizens for representative governance.