Editor:Dorothy C. Wong is Associate Professor of East Asian Art at the University of Virginia. In addition to Chinese Steles: Pre-Buddhist and Buddhist Use of a Symbolic Form (2004), she has published articles on many topics of Buddhist art of medieval China. Her recent research focuses on the transmission and transformation of Buddhist art forms from China (and India) to Korea and Japan in the seventh and eighth centuries.Design:Eric M. Field is an Information Technology Scientist for Applied and Advanced Technologies at the University of Virginia School of Architecture. With a background in both architectural design and computational systems, he specializes in advanced computing applications, information systems, and fabrication technology for architecture and design analysis. He has published scholarly essays as well as contributed to architectural exhibitions.