This book provides new impetus to the study of female art. Through an analysis of Barbara Longhi’s paintings, it expands research beyond women’s lives and careers to look at the spiritual aspects of their work, revealing the importance of devotional art and female creativity.
This study of Edward Burne-Jones’s paintings explores his vision of nature. It reveals how he fused scientific observation with symbolic interpretation to create the fantastical landscapes and magical imagery of his allegorical, fantasy, and dream cycles.
This book presents Giorgio Vasari as an intellectual and philosopher, exploring how he transformed the artist’s role in 16th-century Italy. Vasari elevated their status from mere artisans to divinely inspired creators whose work conveys profound moral and intellectual messages.
This volume investigates Lavinia Fontana’s mythological paintings. The first female painter of sixteenth-century Italy to depict female nudes and mythological subjects, Fontana challenged the male tradition of history painting and paved the way for future female artists.
