Symbol and Metaphor in Opera
This study examines symbolism throughout the history of opera, from its mythological roots to contemporary works. It analyzes how allegory, metaphor, and imagery impart the enduring mystic and meaning of this rich genre, while reflecting on its future.
The Global Reach of the Fandango in Music, Song and Dance
This book lays the foundations for learning about the fandango, an 18th century dance and music craze across Spain and the Americas. It describes how the dance became a conduit for the syncretism of music, dance and people and how it signified freedom of movement and expression.
Music as a Spandrel of Evolutionary Adaptation for Speech
Music makes no sense in the light of evolution. This book reveals it as an innate language that unlocks our imagination, allowing us to transcend reality and create. Not bad for what began as a spandrel of speech.
How can words and melody so successfully manipulate us? This book examines how music—from folk and rock to rap—is used to protest and to promote political, commercial, and religious authority, fueling feminist movements, propaganda, and songs of resistance.
Musical vernaculars are an eclectic and everchanging object of study. This book defends urbanized folk music, challenging the traditional view that only rural songs are authentic, and examines unexpected interconnections between Russian and Jewish music.
Diversity in Australia’s Music
This volume showcases the rich diversity of music in Australia from colonial times to the present. Starting with an overview of developments during the past 50 years, the contributions discuss both Western and non-western genres and the history of music-making in the country.
How does gender affect music? How did Bowie change performer identity? How sexist is glam metal? Are LGBTQ+ issues reflected in 21st century music? From French opera to metal and rap, these contributions challenge and inform, confirming that music shapes our gendered selves.
Sound in Motion
This collection sheds light on the intimate relationship between music and audiovisual culture in contemporary society. It includes indispensable studies on music and cinema, as well as original research on music in videogames and television.
This compendium of interdisciplinary research presents new “readings” on topics from opera by Handel and Mozart to 1960s popular sound. Chapters discuss operatic lighting, Wagner’s leitmotif technique, music and social media, and the art and politics of the collective Laibach.
The Israeli Defence Forces’ Representation in Israeli Cinema
This title looks at whether Israeli art and film now place a focus on soldiers not as fighters, but as victims, and discusses the relationship between King David as an adult and the State of Israel half a century after its establishment.
Small Places, Operatic Issues
Through its analysis of five different social positions or characterisations of opera from 1748 to 2005, this book creates a fruitful interpretative encounter of the academic domains of opera studies, historical sociology, cultural sociology and social and cultural anthropology.
This book explores the surprisingly diverse musical landscape of Invercargill, a city at the bottom of Aotearoa/New Zealand. It illustrates the importance of music in local communities, enriching social connectedness, local identity, and the lives interwoven through them.
Popular Music, Ethnicity and Politics in the Kenya of the 1990s
Okatch Biggy was the single most dominant benga artiste of the 1990s. Mboya analyzes Biggy’s songs as works of art, identifying the aesthetic and rhetorical conventions that are deployed in the songs, and exploring the central messages of the music, and their significance.
Postgraduate Voices in Punk Studies
The first academic collection of postgraduate research on the punk scene. These cutting-edge, interdisciplinary studies explore themes of gender, race, and sexuality, covering topics from French straight-edge to the links between punk and 90s rave culture.
The seven scholarly essays gathered here explore local scenes and identities within heavy metal music from multiple angles, covering a variety of different countries and metal sub-genres from Finland to Indonesia, and from black metal to metalcore.
Bruce Springsteen’s America
Moving from jargon-free critical analysis to a fan’s passionate participatory research, this book places work and class at the centre of Bruce Springsteen’s oeuvre. It presents him as the bard of the downtrodden and is testament to the life-giving power of rock and roll.
Opera as Anthropology
Kotnik considers the relationship between opera and anthropology. His study rests on the following central arguments: on the one hand, opera is a new and “exotic” topic for anthropologists, while, on the other, anthropology is still seen as an unusual approach to opera.
Philosophical Considerations on Contemporary Music
Fronzi describes how complexity in music of the 20th and 21st centuries can be tackled philosophically, starting from certain characteristics. He identifies nine characteristics that permit us to open up philosophical-cultural paths and interpret contemporary music developments.
This volume explores Roberto Gerhard’s work from the early Wind Quintet through to the late period Metamorphoses. It suggests evidence that situates his idiosyncratic experiments alongside, rather than after, the total serialist works of his European counterparts.
Yakupov summarises the communicative processes encompassing the creation, interpretation, perception, and evaluation of the various phenomena of musical art. He considers the numerous communicative links in the spheres of the composer, performer, listener and musicologist-critic.