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This is not a book for architects, but for all those that have suffered, consciously and unconsciously, from modern architecture and have wondered how it came about. This was largely due to one man, an architect called Le Corbusier. For some he was a genius, but the truth is he was a sham, a fake, a charlatan whose only gift was for self-publicity. He was the most influential architect of the second half of the twentieth century; his influence overwhelmed the architectural profession on a global scale, who swallowed his…
Millais exposes the myths that surround Le Corbusier, detailing the endless failures of his proposals and his projects and arguing that his influence on architecture was disastrous, as traditional buildings were destroyed and replaced by featureless boxes of varying sizes.
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Medieval Art and Architecture after the Middle Ages explores the endurance of and nostalgia for medieval monuments through their reception in later periods, specifically illuminating the myriad ways in which tangible and imaginary artifacts of the Middle Ages have served to articulate contemporary aspirations and anxieties. The essays in this interdisciplinary collection examine the afterlife of medieval works through their preservation, restoration, appropriation, and commodification in America, Great Britain, and across Europe from the sixteenth to the twentieth century. From the evocation of metaphors and tropes, to monumental projects of…
This collection of essays explores the enduring afterlife of medieval art and architecture. It examines how medieval works were preserved, restored, and appropriated from the 16th to 20th centuries to shape modern political, religious, and cultural practices.
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Post-Apartheid Dance
Many Bodies Many Voices Many Stories
This work presents perspectives on post-apartheid dance in South Africa by South African authors. Beginning with an historical context for dance in the nation, the book moves on to reflect the multiplicity of bodies, voices and stories suggested by the title. Given the diversity of conflicting realities experienced by artists in this country, contentious issues have deliberately been juxtaposed in order to draw attention to the complexity of dancing on the ashes of apartheid. Although the focus is dance since 1994, all chapters are rooted in an historical analysis and…
This ground-breaking work presents perspectives on post-apartheid dance in South Africa. Reflecting a multiplicity of voices, it juxtaposes contentious issues to draw attention to the complexity of dancing on the ashes of apartheid.
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While many museums have ignored public art as a distinct arena of art production and display, others have – either grudgingly or enthusiastically – embraced it. Some institutions have partnered with public art agencies to expand the scope of special exhibitions; other museums have attempted to establish in-house public art programs. This is the first book to contextualize the collaborations between museums and public art through a range of essays marked by their coherence of topical focus, written by leading and emerging scholars and artists. Organized into three sections it…
This is the first book to contextualize the collaborations between museums and public art through a range of essays marked by their coherence of topical focus, written by leading and emerging scholars and artists, and represents a major contribution to the field of art history.
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Most of the previous scholarship on Apulian red-figure pottery has focused on the cataloguing of collections, the attribution of vases to painters and workshops, iconographic and stylistic matters, and individual vessels and vase forms. This partly reflects the history of vase-painting scholarship, which grew out of antiquarian collecting during the eighteenth and nineteenth centuries, and the fact that a full archaeological provenance is not preserved for the overwhelming majority of vessels. This book takes a different approach by using a database containing in excess of 13,500 vessels and fragments to…
Most of the previous scholarship on Apulian red-figure pottery has focused on the cataloguing of collections and stylistic matters. Herring takes a different approach by identifying patterns in the decoration of Apulian vases that cast light on the choices made by vase-producers.
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This collection of essays examines aspects of the history of food and drink in China through an innovative, interdisciplinary lens. Arranged in chronological and thematic order, the chapters present the research of a diverse group of international scholars and cover subjects ranging from Han period tomb paintings, jade goblets used for ceremonial elixirs and pottery figurines of kitchen servants, to Tang gold vessels, Ming porcelain wine cups and 18th century imperial tea houses. This volume can therefore be read as a material history of Chinese food and drink through utensils…
Explore the history of Chinese food and drink through its utensils, ingredients, and dining practices. This collection of essays examines items from Han jade goblets to 18th century imperial tea houses to reveal the evolution of culinary concepts and food cultures in China.
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Memory, Place and Autobiography
Experiments in Documentary Filmmaking
There has been a significant growth in autobiographical documentary films in recent years. This innovative book proposes that the filmmaker in her dual role as maker and subject may act as a cultural guide in an exploration of the social world. It argues that, in the cinematic mediation of memory, the mimetic approach in the construction of documentary films may not be feasible, and memory may instead be evoked elliptically through hybrid strategies such as critical realism and fictional enactment. Recognizing that identity is formed by history and what ‘goes…
In autobiographical film, the filmmaker—as maker and subject—acts as a cultural guide. This book explores how memory is evoked through hybrid strategies like fictional enactment, and charts the history of British independent filmmaking from the 1970s to the age of new media.
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With chapters on the upbringing of satyrs, the reverse-transformation of Eros from young man to baby, working children and young men in Roman Egypt, tales of the misbehaviour of Alexander the Great and some Late Antique students, this volume offers much to engage the interest of ancient historians, classicists and historians of age and ageing in other periods. The book also includes discussions on the careful presentation of freedmen, dressed women and men, wicked imperial stepmothers, obstreperous old Athenians, and some very old grandparents. From the mythological to the more…
From mythological satyrs and wicked imperial stepmothers to misbehaving students and obstreperous old Athenians, this volume investigates attitudes to age in the ancient world, exploring intergenerational relationships and the intersections with gender, class and status.
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We Are What We Remember
The American Past Through Commemoration
Commemorative practices are revised and rebuilt based on the spirit of the time in which they are re/created. Historians sometimes imagine that commemoration captures history, but actually commemoration creates new narratives about history that allow people to interact with the past in a way that they find meaningful. As our social values change (race, gender, religion, sexuality, class), our commemorations do, too. We Are What We Remember: The American Past Through Commemoration, analyzes current trends in the study of historical memory that are particularly relevant to our own present –…
Commemoration doesn’t just capture history—it creates new narratives that reflect our current values. As our views on race, gender, and class change, so do our commemorations. How do we repair the damage of the past and name forgotten histories?
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Design for Visual Communication
Challenges and Priorities
The contents of this book are mainly based on ideas discussed within the framework of the 2016 International Conference on Typography and Visual Communication (ICTVC). This event was initiated at the beginning of the new millennium and has since developed into an internationally respected event. The chapters included in this volume provide evidence of visual communication as an established discipline where critical research informs design practice, printing history lays the foundations for future projects, and professional practice benefits from cross-disciplinary collaborations. The anthology investigates both current and future challenges and…
Based on ideas discussed within the framework of the 2016 International Conference on Typography and Visual Communication (ICTVC), this anthology investigates both current and future challenges and priorities in the field of design for visual communication.
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Photography as Power
Dominance and Resistance through the Italian Lens
Enriched with an introduction by David Forgacs, this book explores the complex relationship between photography and power in its various manifestations in Italian history throughout the nineteenth, twentieth and twenty-first centuries. How did the Italian state employ the medium of photography as an instrument of dominance? In which ways has photography been used as a critical medium to resist hegemonic discourses? Taking into account published and unpublished images from professional photographers such as Letizia Battaglia, Tano D’Amico and Mario Cresci and non-professional photographers, artists, photo-reporters, and war soldiers, as well…
This book explores the relationship between photography and power in Italian history. It examines how photography has been used as an instrument of dominance—from war propaganda to fascism—and as a critical medium to resist hegemonic discourses and create counter-narratives.
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Frans Hals in America
Collectors, Scholars, and Connoisseurs
This book expands and updates W. R. Valentiner’s informative, yet flawed, Frans Hals Paintings in America from 1936. An important contribution to the history of collecting in America, it provides readers with a detailed understanding of Hals in America today. The book discusses topics such as the thorny issue of Hals attributions, the impact of a dynamic art market over several generations, and more than a century of scholarly research and debate. Frans Hals represents one of the most gifted and innovative masters associated with the genius of Dutch seventeenth-century…
Frans Hals was one of the most gifted masters of Dutch seventeenth-century art. This book explores the narrative of Hals in America, from his rediscovery by Gilded Age collectors to the thorny issues of attribution and the impact of a dynamic art market over a century.
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The Future is Now
A New Look at African Diaspora Studies
The Future is Now: A New Look at African Diaspora Studies is an exciting collection of essays representative of new voices in this ever-expanding field. Writing in English, Spanish, French, and Haitian Creole, the volume’s contributors look at the fields of art, literature, film, and music. From the Hispanophone, Francophone, and Anglophone Caribbean to the United States and Europe, the scholars here interrogate themes of memory, power, gender, identity, race, and religion. In so doing, they uncover forgotten episodes of history previously lost to hegemonic tellings of the past. Here,…
This collection of essays from new voices in African Diaspora Studies explores art, literature, film, and music across the Americas and Europe. Scholars interrogate themes of memory, power, and identity to uncover forgotten episodes of history.
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The Glory of the Garden
Regional Theatre and the Arts Council 1984-2009
The Glory of the Garden examines concepts and contexts of 'regional' theatre in an age of globalisation and cosmopolitanism. It outlines the key debates and trends in the development of regional theatre since 1984 when public subsidy became a part of a package of 'plural funding' and examines regional theatre's role in the theatrical ecology. Variously perceived as a training ground for practitioners or a career dead-end; purveyor of stale product or innovative powerhouse; a transformer of urban environments and community hub, regional theatre has been a constant source of…
The Glory of the Garden examines regional theatre, a constant source of anxiety and pride. It moves the debate beyond the cliché of crisis to examine the politics and policy of making performance outside London, combining essays with case studies.
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This collection of essays focuses on the notion of the ‘mark’, through its manifold dimensions, including heritage, race, genes, stereotypes, traumas and scars, in order to tackle contemporary phenomena and issues such as identity, queerness, emancipation and heritage. It does so by channelling reflections through a variety of art forms, including visual art, performance, cinema, distillery, and literature. Hybrid in its approaches, this collection gathers together self-portraits, analytical essays, and ethnographies to discuss self-determination at a crossroads between intimacy and geopolitics throughout postcolonial France and the French Caribbean.
This hybrid collection of essays and self-portraits explores the ‘mark’—from heritage and race to trauma and scars. Through various art forms, it tackles identity, emancipation, and self-determination in postcolonial France and the French Caribbean.
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£70.99
A chance discovery at a distinguished London map fair in 2012 by a Belgian globe collector produced the most unique of finds: a distinct globe with mysterious images, such as old ships, sailors, a volcano, a hybrid monster, pentimenti, waving patterns, conic individualised mountains, curving rivers, vigorous coastal lines, chiaroscuro and an unresolved triangular anagram, which remains an enigma. The globe is hand-engraved in great detail on ostrich egg shells from Pavia by a left-handed Renaissance genius of unquestionable quality. It shows secret knowledge of the map world from the…
A chance discovery revealed a unique 1504 globe, hand-engraved on an ostrich egg and linked to Leonardo da Vinci. It shows secret knowledge, riddles, and is the first to name countries like Brazil. This book details 500 years of mystery, scholarship, and forensic testing.
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This volume critically discusses dance’s role as an art form in modern Greek society, exploring both ethnographic and cross-cultural issues. The contents of the book unfold in parallel and intertwining dialogues and discourses incorporating reflections on philosophical and scientific subjects and experiences relating to dance. The investigation places ballet, modern and contemporary dance within the Greek context, and juxtaposes these genres with international dance making. It also uncovers the factors that have affected the development of dance practices in Greece during the twentieth and twenty-first centuries, and considers the reasons…
This volume explores dance’s role in modern Greek society, from ballet to contemporary genres. It uncovers factors affecting its development over the last century and asks why dance has yet to be established as an academic discipline, inspiring future artists to advocate for it.
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Arts, Politics and Social Movements
In the Fields and in the Streets
As reflected in the title of the book, the contributions here describe a series of artistic and activist actions in different places sing different forms of aesthetic styles to challenge the existing order of things. Nine chapters present specific situations in Europe and the US in a multilocal dialogue. This multifaceted collection questions contemporary ideas and actions in the face of the Great Transition. It offers a suite of case studies that are linked by elective affinities, an immediate and intuitive accordance between both the activists and the authors despite…
This collection describes artistic and activist actions challenging the existing order. With case studies from Europe and the US, it questions contemporary ideas in the face of the Great Transition, proposing utopian forms and asking the vital question: “what is to be done?”
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Images of Conflict
Military Aerial Photography and Archaeology
Striking aerial views of war, and of the scarred landscapes of its aftermath are the focus of this unique and multidisciplinary book. For the first time, the history, significance, and technology of military aerial photography are brought together and explored by military historians, archaeologists, and anthropologists. This new approach opens the door to a modern reassessment of military aerial imagery, reveals the concepts and philosophies that guided their production and interpretation, and illustrates the complex interaction between humans and technology in creating and understanding the landscapes of conflict.
Striking aerial views of war and its scarred landscapes are the focus of this unique book. For the first time, military historians, archaeologists, and anthropologists explore the history and technology of military aerial photography to reassess the landscapes of conflict.
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Considering that figurines, such as the Venus from Willendorf, or the Lion Man of Hohlenstein-Stadel were already created approximately 30,000 years ago, it must be assumed that humans have had a desire to see a visual expression of their sacred beings for an exceedingly prolonged period of time. It is dialectical that visual interpretations of deities always result in a physical/body structure, resembling the shape of humans. This book is a fusion of multiple independent investigations regarding visual interpretations of deities and religions over a period of 30,000 years. A…
For 30,000 years, humans have created visual expressions of their sacred beings. This book investigates these interpretations of deities throughout history, exploring the psychological necessity for us to create gods and goddesses in a human-like form.
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