Heinz-Uwe Haus, a leading voice in the collapse of communism in the GDR, combined politics and theatre. In this book, he provides a unique insider’s narrative of German unification and its aftermath, widening the context to current issues through the lens of theatre.
Moving Forward
This collection explores ‘tradition and transformation’. Early-career researchers from the arts and social sciences boldly explore the tension between past and future, respecting history while effecting change. Accessible to a non-specialist audience.
The Language of the Arts and Literature
This dictionary brings into contact two cultures, namely English and Romanian, by facilitating communication in the fields of visual and performing arts and literature. It will help translators, interpreters and students to communicate better in both English and Romanian.
Why do adults write about the child and why do they choose to depict children? Georgieva looks at various examples from literature, art and film to analyze aspects of adults’ outlook on the child, and what it tells us about the adult, paying special attention to the “eye” motif.
Justinus Kerner’s Travel Shadows (1811) is no ordinary travelogue. It is a highly imaginative, surreal concoction of grotesque, satirical, and folkloric elements, presenting a journey as a grandiose shadow show. Now available in its first English translation.
Le mensonge
This collection of essays considers the political, social, and artistic impact of the dichotomy of truth and lies in French culture. Bringing together research from diverse disciplines, this work is of great relevance to students and researchers alike.
This book contextualizes the terror histories of post-9/11 literature from the USA, India, Pakistan, Afghanistan, and Sri Lanka. It reads selected short stories, novels, and poems from a gendered perspective.
The Artist as a Dramatic Character
This book examines the use of the artist as a veneer to criticise political ruling parties. Using previously unused primary sources, including interviews with three playwrights, it explores this key role over three decades with reference to artists from the Middle East.
In a post-truth age, this book provides an ethical critique of contemporary British drama. Focusing on the innovative work of playwrights David Greig, Marina Carr, and Martin Crimp, it offers a vital contribution to theatre studies and Ethical Criticism.