£63.99
£63.99
Simms looks into a small group of 19th and 20th century European Jewish intellectuals and artists in the light of their dreams, writings, and moments of crisis. His focus is on essential themes, images and generic patterns, beginning with a Talmudic legend about four scholars.
The focus of this volume is on essential themes, images and generic patterns, beginning with a Talmudic legend about four scholars. They, by means of daring mystical interpretations of Scripture, entered a Paradise, representing different means of imaginative reading, perception, memory and application of the law. One of them died, one went mad, another became a heretic and the other came back as a traditional exegete and teacher.
Based on that legend, this book examines a small group of late 19th and early 20th century European Jewish intellectuals and artists in the light of their dreams, writings, and moments of crisis. These men and women, comedians in both the sense of stage actors and clowns or witty performers, believed they had entered a new secular and tolerant society, but discovered that there was no escape from their Jewish heritage and way of seeing the world. This monograph looks into the imperfect mirror of cultural experience, discovers a hazy world of illusions, dreams and nightmares on the other side of the looking glass, and sometimes constructs a midrashic conceit of the comical and grotesque screen between them.
A vanguard of scholars asks what comes after the postsecular and postmodern in Continental philosophy of religion. This volume argues philosophy must liberate itself from theological norms and mutate into a new speculative practice to confront the challenges of our time.
Since his arrival in Detroit in 1930, W.D. Fard, also known by over fifty other aliases, has elicited an enormous amount of curiosity. Through meticulous scholarship and a detailed analysis of his teachings, this work provides huge insight into the founder of the Nation of Islam.
In this collection, Christian scholars from around the world explore how faith underpins academic disciplines. Offering a global perspective focused on Asia, these essays illustrate a faith-integrated approach to diverse fields from science to social services and business.
He stole fire for humanity, a timeless symbol of rebellion and selfless love. These essays trace the Promethean philosophy of love from its origins in Ancient Greece to its powerful contrast with the figure of Christ.
Over forty-five academics present scholarly studies on the treaties Prophet Muhammad concluded with Jewish, Christian, and other communities. This work offers unprecedented insight into the pluralistic nature of the state he created and includes translations of his Six Covenants.
A modern take on the tribal societies of the whole of Pakistan–their origins, history, and social profile. It promotes an understanding of the disruptive effects of external factors and reforms which failed to take into account their deep-seated cultural sensitivities.
Do people with religious commitment nurture altruistic action more than others? Social scientists present results of their empirical studies on Japanese, North American, European, Indian, and Thai societies to offer insightful reflections on this issue.
This is the first Eastern Orthodox work on animal suffering and human salvation. Using Biblical teachings and contemporary science, it argues that animal suffering is against God’s Will and that indifference to it has negative consequences for human salvation.
Irish religion is being redefined beyond Catholic power and sectarianism. This first-of-its-kind book explores the widespread changes, from new religious movements and migrant religion to the spread of New Age spirituality, in a wide-ranging overview.
The Wandering Jew began as an anti-Jewish stereotype. This work shifts the focus to the Jewish Other, exploring how Jewish writers and thinkers have subverted and reinvented the figure to confront modern issues of uprootedness, migration, and human rights.
Focusing on exemplary Jewish poets, artists, and critics once celebrated but now forgotten—not due to taste, but to social and political issues. This book examines their repressed anxieties and the clash with a culture that rejected their “otherness.”
In a phantasmagoric trial, Alfred Dreyfus was called a “zinc puppet.” This book reveals the man behind the enigma: his concealed Jewish identity, the love it inspired, and the Court Martial as a fin de siècle horror fantasy.
